Posts

Seeing Your Space as a Reflection, Not a Project

-
Image
Most people are taught to think of their homes as projects. There is a beginning, a middle, and an imagined endpoint where everything is finished, aligned, and resolved. This mindset frames the space as something external, an object to be improved, corrected, or completed. Psychologically, this creates distance. When a home is treated as a project, it becomes something you work on rather than something you exist within. Seeing your space as a reflection changes this relationship entirely. A reflection does not need to be perfected to be accurate. It simply shows what is already there. When a home is understood this way, its value shifts from performance to honesty. Why the “Project Mindset” Creates Subtle Stress From a psychological perspective, projects demand progress. They carry timelines, benchmarks, and implicit judgments about success or failure. When this framework is applied to a living space, the environment becomes a constant reminder of what is unfinished. This can create lo...
Post a Comment
Read more

Bookish Interiors and the Spaces That Think

-
Image
Bookish interiors share much with Dark Academia, but they extend the idea of  spaces as cognitive collaborators beyond any single aesthetic. A bookish interior is defined less by colour or material than by  how it mediates thought, memory, and presence . In these spaces, books and objects function as extensions of the mind. They do not merely occupy space; they structure it, influence attention, and scaffold mental activity. Consider a home library or a study. Books are arranged not only for visual balance but for  mental mapping . Their position, accessibility, and grouping cue habits of reading, reflection, and recall. Cognitive psychology tells us that spatial arrangement can affect memory retention, attention, and problem-solving. In bookish interiors, spatial logic is designed to complement thought processes rather than to enforce aesthetic symmetry. Objects beyond books also play an essential role. Globes, typewriters, botanical prints, and vintage scientific tools ...
Post a Comment
Read more

Sizwe Khoza: Memory, Identity, and Monotype in Contemporary South African Art

-
Image
Sizwe Khoza is a contemporary South African artist whose work in monotype printmaking, painting, and portraiture has earned him national and international acclaim. Born in Mozambique during the final years of that country’s civil war, he moved with his family to South Africa in 1995, growing up in a context shaped by both displacement and cultural transition. His early experiences between two national identities inform his deep engagement with memory, belonging, and personal history. After completing his schooling, Khoza began intensive art training that would define his lifelong commitment to visual storytelling.  As a student at Nkumbulo Comprehensive School, Khoza attended Saturday classes at Artist Proof Studio in Johannesburg, where he first encountered printmaking techniques like monotype and linocut. He graduated from the studio’s complete training program in 2012. In 2013, he was awarded a residency at the William Humphrey Art Gallery in Kimberley under the mentorship of th...
Post a Comment
Read more

Dark Academia at Home: Living With Thoughtful Clutter

-
Image
Dark Academia is often described visually: dimly lit libraries, antique wood, worn leather, stacks of books, sepia-toned paper, and ivy creeping in the corners. But beyond the aesthetic, Dark Academia is a mindset, a philosophy of inhabiting interiors as sites of thought, reflection, and curiosity. Its interiors thrive on  thoughtful clutter , the accumulation of objects and books that carry meaning and history. These spaces are not sterile or minimal; they are layered, lived-in, and intellectually generative. At the core of Dark Academia interiors is the belief that  objects are not decoration; they are companions . Every book, notebook, or writing implement tells part of the story of its owner’s mind. A scattering of pens across a desk is not careless; it signals engagement, experimentation, and exploration. The room absorbs the owner’s intellectual rhythms and reflects them back, creating a kind of ambient cognition. Psychology tells us that humans respond to these subtle c...
Post a Comment
Read more

When “Too Much” Is Exactly Enough

-
Image
“Too much” is rarely a neutral phrase. It is usually a correction, a warning, or a signal to stop. In the context of interiors, it often implies a failure of restraint or taste. Yet psychologically, the feeling of “enough” is not measured by quantity, but by satisfaction. What looks excessive from the outside may feel precisely right from within. This gap between external judgment and internal comfort is where many homes lose their authenticity. People reduce, edit, and remove not because something feels wrong to them, but because it might appear wrong to others. In doing so, they often remove the very elements that made the space feel complete. The Psychology of Sufficiency vs. Restraint Restraint is often framed as maturity. Sufficiency, however, is about meeting needs. Psychologically, these are not the same. A restrained space may look calm, but it does not automatically feel regulating. If it lacks the objects that support emotional grounding, books, layers, and familiar textures,...
Post a Comment
Read more

How Objects on Walls Make a Space Feel Held

-
Image
Walls are often treated as boundaries rather than participants. In many modern interiors, they are left bare, painted neutral, and asked to disappear. This absence is frequently framed as calm or sophistication, yet it can leave a space feeling exposed. When walls hold nothing, rooms can feel unfinished, as though they are waiting rather than welcoming. Objects on walls change this dynamic. Art, photographs, shelves, and collected pieces transform walls from passive surfaces into active companions. They create a sense of enclosure that goes beyond structure. A space begins to feel held, not because it is smaller, but because it is visually and emotionally supported. This feeling of being held is subtle but powerful. It speaks to comfort, safety, and belonging. When walls participate in the life of a room, they stop being edges and start becoming part of the experience. Why Empty Walls Can Feel Unsettling Empty walls are often praised for their restraint. However, restraint does not alw...
Post a Comment
Read more

Balekane Legoabe: A Comprehensive Art Historical Study

-
Image
Balekane Legoabe (born 1995) is a prominent South African visual artist whose multidisciplinary practice spans digital and traditional media, including digital collage, print, painting, ink drawing, and mixed media. She is also an illustrator, motion designer, curator, and arts educator based in Johannesburg, South Africa, whose work engages deeply with emotional experience, identity, and the natural world. Legoabe earned a Bachelor of Arts in Visual Communication with a specialisation in illustration and a Bachelor of Arts in Film Arts specialising in motion and stop‑motion design from the Open Window Institute between 2014 and 2018. Her academic grounding in both visual communication and film arts informs her fluid use of layered imagery and narrative structures in her work.  Legoabe’s artistic formation began at The National School of the Arts, where she matriculated in 2013, specialising in visual arts, laying the groundwork for her later explorations in both digital and tactil...
Post a Comment
Read more